In the installation Ordered Disorder, the artist explores the infinite possibilities and limitations of materiality, as well as the questions of sense and nonsense in relation to perception and experience. The work focuses on repetitive experiences, where the surface of reality oscillates between softness and fragmentation, creating a sense of continuous internal disintegration. The classical photographic material transforms into a new entity, where the image is no longer a necessity but merely a potential. The possibility of transforming material beyond its original function opens up a space for dialogue.

Sara Rman, born in 1992 in Ljubljana, Slovenia, lives and works in Ljubljana, Slovenia. She works with various media in arts and crafts. The photographic medium serves her as a tool of expression, a means of exploring the concepts of identity, the dimensions of the field of freedom and raw aesthetics. In 2017, she received the Outstanding Academic Achievement Award for her diploma thesis. She has held numerous exhibitions in Slovenia and abroad.

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V instalaciji Urejen nered umetnica raziskuje neskončne možnosti in omejitve materialnosti ter vprašanja smisla in nesmisla v odnosu do percepcije in izkušnje. Delo se osredotoča na repetitivne izkušnje, kjer površina realnosti niha med mehkobo in fragmentacijo, kar ustvarja občutek nenehnega notranjega razkroja. Klasični fotografski material se spremeni v novo entiteto, kjer podoba ni več nujnost, temveč le potencial. Možnost transformacije materiala onkraj njegove prvotne funkcije odpira prostor za dialog.

Sara Rman, rojena leta 1992 v Ljubljani, živi in ​​dela v Ljubljani. Deluje z različnimi mediji na področju umetnosti in obrti. Fotografski medij ji služi kot izrazno orodje, sredstvo raziskovanja konceptov identitete, dimenzij polja svobode in surove estetike. Leta 2017 je za diplomsko nalogo prejela nagrado za izjemne študijske dosežke. Njeno delo je bilo predstavljeno na številnih razstavah v Sloveniji in tujini.